Cece is an Ottawa-based artist
and BFA student at the
University of Ottawa
“One day I tripped crossing the street near my home. I tumbled from one quantifiable realm into a distinct and ethereal other. ”
You may have seen my stickers. Maybe I brightened your day with one of my colourful rocks? I hope that I did! Was it a tote bag? I enjoy drawing and painting animals wherever and whenever I can, especially their expressive little eyes. Fancy a colouring page?
My practice centres on sculpture, where memory, change, and lived experience take physical form. I also create multisensory, relational, and performance pieces that continue to evolve alongside my sculptural practice.
This site presents a selection of recent works shown in local galleries and community events. Together they explore memory and change.
Most of the images described here are currently viewable on Instagram.
Upcoming
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Middle Child (2026) Immersive, relational sculpture |
Solo exhibition Gallery 115 October 22 to November 5, 2026 |
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Roles to Play (2026) Immersive sculpture |
The 3D beaded tapestries from this immersive sculpture have been selected for the SimArts 2026 exhibition at Simard Hall, University of Ottawa. The selected work will also be displayed on a large screen outside the building in rotation with the other exhibition pieces. |
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The Caretaker (2026) Photography |
Submitted. The caretaker removes a tree that is blocking a pathway through the woods. A series of roughly hewn black-and-white 35 mm prints in the style of a contact sheet. |
Shown
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IRL (2026) Sculpture |
Included with the Fire and Form exhibition June 25 – June 28, 2026 OSAO Gallery, Shenkman Arts Centre Mixed media: Two really big buttons, made out of clay, sewn to a segment of a really big wool sweater knit on large needles, glued to the back of an IKEA frame (painted with acrylic). |
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Emergency Snowglobe (2025 – 2026) Sculpture |
Shown in the Frame of Mind exhibition at the Ottawa Art Gallery from April 30 – June 14, 2026. Large-scale installation. A large yellow crocheted frame transforms two paintings into the eye of a giant Pacific octopus. Together they depict a fictional emergency inside the octopus tank: the animals have decided to leave the planet. What remains unclear is who broke the glass—or why. A real rock, glued to the frame, is provided in case another emergency arises. Mixed media: Acrylic paint on linen, IKEA frames, chicken wire, thin gauge wire, chenille yarn, cardboard, sedimentary rock, gorilla glue, E6000 glue, Sparkle Mod Podge, acrylic paint on air dry clay. |
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Across the Universe (2026) Chalk pastel on paper |
This sketch from a Life Drawing Workshop was shown with Let Us Not Be Alone (the Atelier Denu group exhibition) at Nostalgia (restaurant) from March 30 – May 1, 2026. Selected by Atelier Denu as a promotional image for the exhibition. |
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Props to Bears Everywhere (2025 – 2026) Sculpture |
These are some props from my Just Bears Talking bearcast (puppet show) as they were shown in the Open Gallery exhibition at Gallery 115 on campus from January 27 – February 11, 2026. Scale: They are cut from index cards and construction paper, then mounted with glue and tape to wooden chopsticks. For this show they were arranged atop a plinth in a floral frog. |
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Interstellar (2025) Mixed media |
Shown with the Spring 2026 Partners in Art collection at the Royal Ottawa Hospital in the Winter Garden. Mixed media: Handmade paper, neighbourhood wildflowers, tissue paper, IKEA oval wicker frame. Note: I was invited to participate in the exhibit through the Creative Space program at the Ottawa Art Gallery. (The program is one of the partners.) |
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Costume Jewelry (2025) Photogram on light-sensitive paper |
Framed to 10" × 12" and shown with the Spring 2026 collection at the Royal Ottawa Hospital in the Winter Garden. |
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Cat Tree (2025) Charcoal on newsprint |
This absurd drawing was shown with the Winter 2026 collection at the Royal Ottawa in the Winter Garden. Framed to 18" × 24". The drawing was a class project and the prompt for the drawing was to combine a plant and animal. |
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Cooked (2025) Charcoal and watercolour on paper |
My large-scale (54" × 80") dinosaur mural (cascading allegory, with 3 tiers) was shown in a class show The Mark We Make at Gallery 115 in June 2025. It was the focal point of the show. Cooked celebrates the life (in a fresco at the top of the artwork) of a Canadian ornithomimus, by respecting its last wish to be eaten by some friends (central panel). It also foretells a significant extinction event (in the third tier) with bones and archeological implements. Other Canadian dinosaurs in the drawing include an albertosaurus, a T-rex, a corythosaurus and a chasmosaurus. It was inspired by a class field trip to the Museum of Nature in Ottawa, Ontario, Canada. |
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Vitruvian Tick (2025) Sculpture |
Selected and shown at an excellence award banquet for University of Ottawa students, hosted at the Ottawa Art Gallery in 2025.
Mixed media: Metal (plasma cut and welded), wood (etched by laser), acrylic paint, functional metronome. The tick balances in a groove cut into the wood base of the sculpture. The battery-powered metronome sits on top of the base and can be moved around, outside the base, for some variety in its installation. The life cycle of a tick is painted on the sides of the metronome in acrylic paint. A diaper is "pinned" on the larva. |
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Neuroplasticity (2025) Mixed media on paper |
Abstract. Shown at the PLEO Gala at the Ottawa Art Gallery in 2025. Creative Space class project. |
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Décroche (2025) Chalk pastel on paper |
Abstract. Shown at the PLEO Gala at the Ottawa Art Gallery in 2025. Creative Space class project. |
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Thirst Trapped (2024) Watercolour on paper |
Experimental farm cows I. Shown at the PLEO Gala at the Ottawa Art Gallery in 2024. Creative Space class project. |
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Water Cooler (2024) Watercolour on paper |
Experimental farm cows II. Shown at the PLEO Gala at the Ottawa Art Gallery in 2024. Creative Space class project. |